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Craig Stockwell

  • Home
  • Current
  • Archive
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  • SPAR(K)
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  • About
    • Biography
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  • Press
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Bodies of Work

Work consists of two inquiries: a conversation between video and painting; and a conversation between formalism and gesture. The video/painting works are memorials: Marsden Hartley, Emily Dickinson, Gustaf Carlson (Great-Grandfather), Mt. Washington, christmasnite (messianic time), Falling, Getting up, Johns’ Body, Naked, Less. They speak of personal history, painting history and tragic world history. The formalist paintings are lovingly made by hand and refer to the intelligent play that abstraction offers. Central to current work are questions of exhibition and distribution. The video/paintings present complex layers of viewing experience that aims to impact the body.

 

4 paintings about history (yours, mine, ours)

Joachim (after Giotto)
Joachim (after Giotto)
Anna, after Giotto. Matisse, Dance
Anna, after Giotto. Matisse, Dance
The Conversation (after Matisse)
The Conversation (after Matisse)
Non
Non
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Falling 2019

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Back to Craig Stockwell | Bodies of Work
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4 paintings about history (yours, mine, ours)
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memorials (observed)
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Illuminated Manuscripts
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Falling 2019
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Eptitude
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Winter-Spring 2018
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The deCordova Biennial
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The blue sea, young men in adversity, old men, roses
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After Agnes Martin
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12 Battles
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VCCA
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9 Anomalies
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11 Generations
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Recovering the Body
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9 Questions About Painting
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The Sharpe Foundation
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Minimalism and Not
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9 Considering White Space
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Groups of 9
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20 Summers
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Voluptuous Reform
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Perfectly Useless
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Methodology
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The Monogamy Project
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My Father's Body
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Disgust
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PS 1